How can one adapt one’s commitments to the present moment? What should be done when our ideas are misunderstood, misappropriated, or instrumentalized? How can critical thinking be sustained in a world that increasingly favors insular echo chambers? How do we integrate new forms of knowledge that profoundly challenge our assumptions? And how might we support others who wish to undertake a similar path?
Who are those individuals who apostatize, convert, deviate from their trajectories, abdicate, resign, retract, change their minds, renounce prior commitments, repent, adapt, self-sabotage, refuse achievement, betray themselves, transition, or even enact a form of “class suicide”? What discourse do they produce regarding these shifts in thought, and under what conditions might such acts be understood as forms of resistance to fascism?
These urgent questions find fertile ground in the writings of Pier Paolo Pasolini—poet, essayist, novelist, playwright, and filmmaker—whose work was deeply engaged with Italian civil society. We identify within his oeuvre a distinctive ethics of commitment articulated along two principles: (a) each individual should regard themselves as an integral part of what they critique; and (b) without denying the sincerity of past positions, individuals should retain the capacity to abjure their previous thinking and adapt their commitments—whether in response to misinterpretation, appropriation, or distortion of their ideas, or in light of new knowledge, experiences, or changing contexts.
We term this framework the ethics of abjuration. Within this knowledge-oriented research program, we argue that abjuration, as conceptualized by Pasolini, constitutes a posture of adaptive fidelity to shifting realities. In other words, to abjure is not to cease being faithful to oneself. Despite its centrality, no existing study of Pasolini’s work foregrounds abjuration as an ethical paradigm, even though it emerges as a key leitmotif for understanding his aesthetic and political engagement.
This point of departure will inform the development of pedagogical tools designed to support students as they confront realities that either challenge their assumptions or compel them to recalibrate their commitments in order to remain intelligible within rapidly changing contexts.
In scope and significance, this case study responds to an urgent societal need: to develop methods that facilitate critical self-reflection and to examine the ethical, political, and social consequences that follow. This is particularly pressing in a context marked by increasing polarization—and even radicalization—of discourse, alongside growing difficulties in sustaining critical thought. Algorithmically mediated echo chambers both reinforce beliefs (values and norms) and complicate meaningful dialogue.
Researcher: Julie Paquette
Collaborators: Julie Châteauvert, Christian Dionne, Anne-Violaine Houcke, Olivier Neveux
Collaborators: Julie Châteauvert, Christian Dionne, Anne-Violaine Houcke, Olivier Neveux
Funding: SSHRC Insight Grant, 2024–2029
Research Axes:
- Engaged Arts and Research-Creation
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Engaged Pedagogies and Practices of Research
- Emancipation